/ ethos
elsewhere grew from a lifelong obsession with skincare and a fascination with the intelligence of living systems.
I created the brand because I couldn’t find skincare that I loved. I wanted more from organic skincare: more intelligence, more ambition and formulas designed to deliver powerful, long-term results.
Skin is alive, responsive and continually renewing. elsewhere works with that biology, combining potent organic botanicals with scientifically informed actives to deliver deep hydration, support regeneration and leave skin smoother, plumper and more resilient over time.
Organic at its roots. Transformative by design.
/ founder
Nature was never something separate from me. I grew up around my aunt and uncle’s wildlife sanctuary, helping to care for seals, foxes, badgers and owls. I joined Greenpeace at seven and organised fundraisers for the Amazon at primary school.
I loved skincare for the most direct reason: I wanted to look better. I have never believed that desire is shallow, or that it must sit apart from ethics.
When I discovered The Body Shop at eleven, it felt radical. Anita Roddick showed me that a business could care deeply about animals and the environment while creating products people genuinely desired. Beauty, pleasure, efficacy and environmental responsibility could coexist.
That idea stayed with me through years of filmmaking, visual art and working on organic farms in Australia. Along the way, psychedelic ways of seeing deepened my sense of nature as alive, interconnected and full of intelligence.
Eventually, curiosity became practice. I trained in organic skincare formulation so that I could create from first principles, question every ingredient and make the products I wished existed (but didn’t).
/ design
elsewhere was conceived at the meeting point of skincare, science and visual culture: something as compelling to look at and hold as it is to use.
Working across geometry, colour and type, designer Paul Flack gave elsewhere its visual world: bold, graphic and subtly psychedelic. His design draws on nature as a complex, intelligent living system, rather than using it as a decorative motif.
Design is integral to how a product makes you feel before you even open the jar. Every element is intended to be desirable, from Paul’s distinctive graphic language to the weight of the amber glass.
The packaging also reflects the values behind the formulas: protective glass, biodegradable labels, environmentally responsible inks and no unnecessary outer cartons.
Skincare can be effective, ethical and beautiful. There is no reason to choose.
/ why elsewhere?
Many years ago, in the corner of an antique shop, I found a book called The Voices of Time: a collection of essays exploring time through science and the humanities.
One idea stayed with me. In space-time, there are three regions: the past, the future and elsewhere. Elsewhere is not imaginary. It is a region that exists outside both.
I found that profoundly freeing: the idea of a place not defined by what has already happened or by what is expected to come next.
That feeling became the name. A space outside received ideas, imposed timelines and predetermined ways of doing things. Somewhere with the freedom to imagine differently.
elsewhere is more than a skincare brand. It is a refusal to accept that the future is already fixed.
I’d rather be elsewhere. Maybe you would too.